kuvirathegreat:

bevsi:

that’s why her eyebrows are so big, they’re full of secrets.


Kuvira approves kuvirathegreat:

bevsi:

that’s why her eyebrows are so big, they’re full of secrets.


Kuvira approves kuvirathegreat:

bevsi:

that’s why her eyebrows are so big, they’re full of secrets.


Kuvira approves kuvirathegreat:

bevsi:

that’s why her eyebrows are so big, they’re full of secrets.


Kuvira approves kuvirathegreat:

bevsi:

that’s why her eyebrows are so big, they’re full of secrets.


Kuvira approves kuvirathegreat:

bevsi:

that’s why her eyebrows are so big, they’re full of secrets.


Kuvira approves

kuvirathegreat:

bevsi:

that’s why her eyebrows are so big, they’re full of secrets.

Kuvira approves

cross-connect:

NeSpoon is a street artist from Warsaw, Poland. Her artistic focus is on the intricate patterns of lace, and breaking its granny stereotype by using it to beautify gritty urban spaces. NeSpoon calls her artistic approach the “jewellery of the public space”:

Jewellery makes people look pretty, my public jewellery has the same goal, make public places look better.

NeSpoon often uses the usual spray paint and stencils of enlarged lace patterns to produce her works on the street via
artist find at Lustik
cross-connect:

NeSpoon is a street artist from Warsaw, Poland. Her artistic focus is on the intricate patterns of lace, and breaking its granny stereotype by using it to beautify gritty urban spaces. NeSpoon calls her artistic approach the “jewellery of the public space”:

Jewellery makes people look pretty, my public jewellery has the same goal, make public places look better.

NeSpoon often uses the usual spray paint and stencils of enlarged lace patterns to produce her works on the street via
artist find at Lustik
cross-connect:

NeSpoon is a street artist from Warsaw, Poland. Her artistic focus is on the intricate patterns of lace, and breaking its granny stereotype by using it to beautify gritty urban spaces. NeSpoon calls her artistic approach the “jewellery of the public space”:

Jewellery makes people look pretty, my public jewellery has the same goal, make public places look better.

NeSpoon often uses the usual spray paint and stencils of enlarged lace patterns to produce her works on the street via
artist find at Lustik
cross-connect:

NeSpoon is a street artist from Warsaw, Poland. Her artistic focus is on the intricate patterns of lace, and breaking its granny stereotype by using it to beautify gritty urban spaces. NeSpoon calls her artistic approach the “jewellery of the public space”:

Jewellery makes people look pretty, my public jewellery has the same goal, make public places look better.

NeSpoon often uses the usual spray paint and stencils of enlarged lace patterns to produce her works on the street via
artist find at Lustik
cross-connect:

NeSpoon is a street artist from Warsaw, Poland. Her artistic focus is on the intricate patterns of lace, and breaking its granny stereotype by using it to beautify gritty urban spaces. NeSpoon calls her artistic approach the “jewellery of the public space”:

Jewellery makes people look pretty, my public jewellery has the same goal, make public places look better.

NeSpoon often uses the usual spray paint and stencils of enlarged lace patterns to produce her works on the street via
artist find at Lustik
cross-connect:

NeSpoon is a street artist from Warsaw, Poland. Her artistic focus is on the intricate patterns of lace, and breaking its granny stereotype by using it to beautify gritty urban spaces. NeSpoon calls her artistic approach the “jewellery of the public space”:

Jewellery makes people look pretty, my public jewellery has the same goal, make public places look better.

NeSpoon often uses the usual spray paint and stencils of enlarged lace patterns to produce her works on the street via
artist find at Lustik
cross-connect:

NeSpoon is a street artist from Warsaw, Poland. Her artistic focus is on the intricate patterns of lace, and breaking its granny stereotype by using it to beautify gritty urban spaces. NeSpoon calls her artistic approach the “jewellery of the public space”:

Jewellery makes people look pretty, my public jewellery has the same goal, make public places look better.

NeSpoon often uses the usual spray paint and stencils of enlarged lace patterns to produce her works on the street via
artist find at Lustik
cross-connect:

NeSpoon is a street artist from Warsaw, Poland. Her artistic focus is on the intricate patterns of lace, and breaking its granny stereotype by using it to beautify gritty urban spaces. NeSpoon calls her artistic approach the “jewellery of the public space”:

Jewellery makes people look pretty, my public jewellery has the same goal, make public places look better.

NeSpoon often uses the usual spray paint and stencils of enlarged lace patterns to produce her works on the street via
artist find at Lustik
cross-connect:

NeSpoon is a street artist from Warsaw, Poland. Her artistic focus is on the intricate patterns of lace, and breaking its granny stereotype by using it to beautify gritty urban spaces. NeSpoon calls her artistic approach the “jewellery of the public space”:

Jewellery makes people look pretty, my public jewellery has the same goal, make public places look better.

NeSpoon often uses the usual spray paint and stencils of enlarged lace patterns to produce her works on the street via
artist find at Lustik
cross-connect:

NeSpoon is a street artist from Warsaw, Poland. Her artistic focus is on the intricate patterns of lace, and breaking its granny stereotype by using it to beautify gritty urban spaces. NeSpoon calls her artistic approach the “jewellery of the public space”:

Jewellery makes people look pretty, my public jewellery has the same goal, make public places look better.

NeSpoon often uses the usual spray paint and stencils of enlarged lace patterns to produce her works on the street via
artist find at Lustik

cross-connect:

NeSpoon is a street artist from Warsaw, Poland. Her artistic focus is on the intricate patterns of lace, and breaking its granny stereotype by using it to beautify gritty urban spaces. NeSpoon calls her artistic approach the “jewellery of the public space”:

Jewellery makes people look pretty, my public jewellery has the same goal, make public places look better.

NeSpoon often uses the usual spray paint and stencils of enlarged lace patterns to produce her works on the street via

artist find at Lustik

hitlersasshole:

lroninfidel:

Male fox reacting to seeing a female fox.

"wOAH shit she’s hot"

RING DING DING DING RING DING

keyblade-crafter:

bearded-drumfill:

gaminginyourunderwear:

EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

UNCLE

Sort of hyperventilating

(Source: elementalsight)

jaxblade:

This bitch got Choked to death 

image

This girl got her head blown off 

image

This chick got Fried

image

and This boy melted himself 

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Pulled for low ratings image

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"Though Mean Girls was rated PG-13 for “sexual content, language, and some teen partying,” that was a rating Paramount had to fight for, says Waters. “We had lots of battles with the ratings board on the movie. There was the line, ‘Amber D’Lessio gave a blow job to a hot dog,’ which eventually became ‘Amber D’Lessio made out with a hot dog.’ Which is somehow weirder! That’s the thing we found: When you’re trying to make a joke obey the rules and not use any bad words, it can actually become seamier, even.” Still, there were some things that Waters simply refused to change. “The line in the sand that I drew was the joke about the wide-set vagina. The ratings board said, ‘We can’t give you a PG-13 unless you cut that line.’ We ended up playing the card that the ratings board was sexist, because Anchorman had just come out, and Ron Burgundy had an erection in one scene, and that was PG-13. We told them, ‘You’re only saying this because it’s a girl, and she’s talking about a part of her anatomy. There’s no sexual context whatsoever, and to say this is restrictive to an audience of girls is demeaning to all women.’ And they eventually had to back down.”"
— don’t fuck with tina fey (via brokenclocksrighttwiceaday)

(Source: helenaoftroy)

lucyliunareclipse:

snorlaxatives:

damn….. ash is shredded as fuck

(Source: diehardpokemonfans)

ryuusen-no-yukue:

kirklanded:

kirklanded:

kirklanded:

kirklanded:

kirklanded:

kirklanded:

kirklanded:

what if you censored out the word ‘swim’ every time it’s said in free!

im gonna do it

image

its only been 30 seconds fuck me

image

NO LITTLE SHOTA MAN DONT DO IT

image

damn, haru

image

image

image

image

image

image

i

image

am

image

so

image

image

so

image

sorry

image

what

image

have

image

i

image

done

i was looking for this

(Source: nanasey)

korrabehappyplease:

theemberislandplayahs:

I’m glad they didn’t turn Toph into some kind helpful old lady living in the woods. She’s still the Avatar-butt-kicking trash-talking greatest Earthbender in the World!

I love how Korra tries to hug Toph but Toph is just like “access denied.”

aprilwitching:

nostalgebraist:

I’ve been having a bad time lately but someone posted this on Facebook and it provided a moment of pure joy

I haven’t laughed this hard in weeks

ok

everyone this is 500% worth ur time I PROMISE

i did that thing where i laughed so hard i kinda transcended the state of human laughter and ended up just lying dumbstruck on the floor with my abdomen like faintly, silently heaving + probably a super weird facial expression

achoomnida:

if you’re gonna unfollow me you’ll have to go through

image
the perfume department 

barwellz:

honeybucky:

moriarty:

SPIDERMAN WOULD. SPIDERMAN WOULD

itS BACK

ALWAYS REBLOG.